As time continues, I realize that even though many people seem to be fascinated with this idea of being “special” or standing out in some fashion, we don't often realize the amount of pressure associated with the label, especially when it’s framed as something divine.
Originally posted on The Georgetonian on October 17, 2025 Taylor Swift once stood as the pop embodiment of modern feminism — the woman who turned heartbreak into agency and made vulnerability a form of power. However, her newest album, “The Life of a Showgirl,” feels like a betrayal of that promise. Beneath the sequins and staged empowerment lies a collection of songs that are male-centric, emotionally shallow, and, at moments, racially tone-deaf. Nearly every track revolves
